
[Inaudible]: The Politics of Silence in the work of Lawrence Abu Hamdan and Gabrielle Goliath
This essay appears in Cultures of Silence: The Power of Untold Narratives, edited by Luisa Santos and published by Routledge in 2023. I’ve included the abstract here, but you can purchase the publication to read the full text by clicking on the image.
ABSTRACT:
The idea that silence speaks louder than words has become a cliché, and yet, in our ‘all-hearing, all-speaking’ age, it is the fundamental right to silence that is so often undermined. On the one hand there is the need for minority or suppressed voices to be heard — the feeling that one loses ones political agency if one does not “speak up.” On the other, there is the understanding that having a platform does not necessarily equate to being heard, or worse, that saying something might put one in harm’s way. In such contexts, silence is political; it exposes the limits of representation and the conditions which ‘fail to listen.’ By lending their ears to such moments of pause — to the gaps, cracks, and fissures that constitute such silences — forensic linguist Lawrence Abu Hamdan and performance artist Gabrielle Goliath draw attention to that which cannot, or will not, be said, foregrounding silence, not only as a product of censorship or a form of withdrawal, but as a constitutive basis for political agency.
Cover image:
Gabrielle Goliath, Elegy - Sizakele Sigasa & Salome Masooa, 2018, Verbo Performance Art Festival, Galeria Vermelho & Videobrasil, São Paulo. Image courtesy of the artist.